Sophia Terazawa

Days of Fig

Mid-spring, the dog pushes a wet nose into my palm.
Drawn memories falter with Hartford,

Connecticut. I don’t recall arriving. Despair
simmers in gold trim wallpaper lining this spare room

at a friend’s house where the dog still pities me.
For months, an illusory path: courtship in America

would sit on heartache’s wide shoulder, spearmint
ChapStick, a tiger’s eye pendant, and lemongrass balm

set in a tin shaped like a strawberry. No more, we were done.
Sweetness floated serendipitously. I watched the pale moth

fling itself into custard on a plate no country would notice.
Someday Little Bear might heal that temper of his,

the runner’s face etched on a tablet made from holy stone.
For a while, I admit missing love but waiting took more.

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Recitative

It’s been said that tomorrow
carries a rack of good bread

though all night, our bereaved
burn notebooks under a green

wolf eclipse. Another region
goes dark under watch.

We’re up to our elbows
with half-news from home

wiping a knife on a dirty
threadbare rag. Gleaming,

we know the cost of roasted
cashews, rice, warm baguettes,

and coins sewn into a shirt
sleeve. What’s been said

about exile might be true.
Fewer leap at this demanding

softly, “Want me or don’t.”
Resume the trembling bit, then.

Miraculous hunger holds
little near the center except

colors ripe with sacrifice.
Our plot is a people hazed

who would go by brimstone
willingly. Who’s willing

to speak of destiny,
noise without destiny?

Destiny without spectacle,
pomp, or machine? For now,

the whole sky could slide
over itself. Some of us

don’t sing anymore.
Some of us remain underground.

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Sophia Terazawa is the author of three collections, Winter Phoenix (Deep Vellum, 2021), Anon (Deep Vellum, 2023), and the forthcoming Oracular Maladies, a finalist for the 2023 Noemi Press Book Award. She has also published two chapbooks, I AM NOT A WAR (Essay Press, 2016) and Correspondent Medley (Factory Hollow Press, 2019), winner of the 2018 Tomaž Šalamun Prize. Tetra Nova (Deep Vellum, 2025) is her first novel.

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